Design Observer

About
Books
Job Board
Newsletters
Archive
Contact



Observatory

About
Resources
Submissions
Contact


Featured Writers

Michael Bierut
William Drenttel
John Foster
Jessica Helfand
Alexandra Lange
Mark Lamster
Paul Polak
Rick Poynor
John Thackara
Rob Walker


Departments

Advertisement
Audio
Books
Collections
Dear Bonnie
Dialogues
Essays
Events
Foster Column
From Our Archive
Gallery
Interviews
Miscellaneous
Opinions
Partner News
Photos
Poetry
Primary Sources
Projects
Report
Reviews
Slideshows
The Academy
Today Column
Unusual Suspects
Video


Topics

Advertising
Architecture
Art
Books
Branding
Business
Cities / Places
Community
Craft
Culture
Design History
Design Practice
Development
Disaster Relief
Ecology
Economy
Education
Energy
Environment
Fashion
Film / Video
Food/Agriculture
Geography
Global / Local
Graphic Design
Health / Safety
History
Housing
Ideas
Illustration
India
Industry
Info Design
Infrastructure
Interaction Design
Internet / Blogs
Journalism
Landscape
Literature
Magazines
Media
Museums
Music
Nature
Obituary
Other
Peace
Philanthropy
Photography
Planning
Poetry
Politics / Policy
Popular Culture
Poverty
Preservation
Product Design
Public / Private
Public Art
Religion
Reputations
Science
Shelter
Social Enterprise
Sports
Sustainability
Technology
Theory/Criticism
Transportation
TV / Radio
Typography
Urbanism
Water


Comments (3) Posted 11.21.12 | PERMALINK | PRINT

Alexandra Lange

3rd Annual Holiday Card Review



Be Joyful card, Minted

After you’ve pushed back from the Thanksgiving table, it will be that time again. Time for Christmas letters, Nordic sweaters, the occasional decoratively-deployed stile. And as in years past, the designs of holiday photo card makers like Minted, Paperculture, Pinhole Press, and Tiny Prints reveal the aesthetic preoccupations of the moment. In 2009, the “Modern” category was anemic, populated by a few red squares and Helvetica greetings. By 2010, it had grown apace, though, as I wrote then, “card designers' idea of modern runs only to the first string of sans serif fonts: Arial, Avant Garde, Trade Gothic.” Last year I did not see much that was new, and gave the cards a bye. But for 2012, I can identify four key trends that have trickled down from Brooklyn restaurants, across from Pinterest, and through the cloud from Instagram and Facebook. This may be the one time this year most of you buy stamps (I recommend these), and one thing is clear. By our holiday cards, you shall know our social media preoccupations.

 

Bokeh Bubbles card, Tiny Prints

#1: Instagramminess.

Holiday cards are by nature a way of capturing your children’s cuteness. So is Instagram. Put the two together and you have either achieved cute nirvana or caused all your friends to roll their eyes. Had it been me, I would have cut the nostalgic charm of chubby cheeks + rounded corners + golden glow with a bolder, non-script font. A stamped Franklin Gothic? Bodoni Joy?

Family Year in Review card, Minted

#2: Feltron greetings.

Nicholas Felton’s Feltron Annual Reports used to be a designer nod, but then he was hired to create Facebook’s Timeline, and bring data arrangement to the masses. Now we can all chart our progress through the year, and skip the holiday letter in favor of an infographic. I’d love to see a side-by-side comparison of a few of these to see how the humblebrag potential of the letter translates. For those who haven’t been data-mining (or who are expecting a Nike+ FuelBand for Christmas) there is the simpler Top 10 List format from Paperculture.


A Merry Spot card, Tiny Prints

#3. Downton details.

We all want to be Lady Mary, right? (Except for that dead Turkish diplomat incident.) Several card companies have upped the ante in terms of paper weight, edge designs and wallpaper-like back-of-card patterns, making the digitally photographed, designed and ordered piece into a one-of-a-kind luxury object with the texture of letterpress. Minted offers fancy shapes, scalloping and notching the corners (even when, as in this case, the edge conflicts with the Archer). Pinhole Press offers Ultrathick cards with a pinstriped edge. And Tiny Prints lets patterns wrap from front to back. All these options suggest that people are thinking, If I’m only sending one card a year, I want it to be all it can be.


Gift Tag card, Paperculture

#4. Virtual scrapbooking.

Tags, ribbons, bows, fabrics, hand-drawn letters and layered effects. Each card is an opportunity to deploy your favorite scrapbook techniques, albeit in pre-printed form. The shaped stickers and ribbons have been around for several years. What I see more of this year are large script legends, rendered with scratchy faux-calligraphic edges. I associate this kind of typography with the better chalkboards outside the restaurants in my Brooklyn neighborhood, which always make me wonder if servers are now hired for their lettering skills.

For my own card, I start with the photo. Getting both kids in the frame, in coordinated clothing and in focus is the priority. Maybe just in focus. After that, I’ll pick my colors and my type – though I do always like a nice big number.

Share This Story

RELATED POSTS


Jan van Toorn: The World in a Calendar


The Proper Art of Writing in 1655


Bring In Da Ponk!


The Portrait in Snapshot Photography


The Dreamland Motel



RSS Subscribe to Comment Feed

Comments (3)   |   JUMP TO MOST RECENT >>

This article is truly disturbing.
Frank de Souza
11.30.12 at 07:53

Hard to know what to make of this article. The final death knoll of Design Observer? Or perhaps the author has deployed so many layers of irony as to render all meaning beyond my comprehension.
Peter
12.01.12 at 12:09

I was first disturbed by the cheesy, Hitler's Youth card templates. I guess black people don't use holiday cards?
Then I read the article and was even more disturbed. "Holiday cards are by nature a way of capturing your children's cuteness." I realized I was not the demographic being pandered to (white, with children, hipster, vain, brooklynite).
At least we found the blueprint for the sequel to American Psycho: hipster-brooklyn maternal vanity.
I can understand Peter's feeling that this might be irony. A clever parody of Martha Stewart? That would be generous. Though I'll have to read it again to see if there is an honest human emotion under all of the bubblegum marketing and namedropping.
Frank de Souza
12.02.12 at 01:59



LOG IN TO POST A COMMENT
Don't have an account? Create an account. Forgot your password? Click here.

Email


Password




|
Share This Story



Alexandra Lange is an architecture and design critic, and author of Writing about Architecture: Mastering the Language of Buildings and Cities. (Princeton Architectural Press, 2012). Her work has appeared in The Architect's Newspaper, Architectural Record, Dwell, Metropolis, Print, New York Magazine and The New York Times.
More >>

DESIGN OBSERVER JOBS









BOOKS BY Alexandra Lange

Writing About Architecture: Mastering the Language of Buildings and Cities
Princeton Architectural Press, 2012

Design Research
Chronicle Books, 2010

More books by contributors >>