THE Bite THATS Rite
A photograph by John Szarkowski from
Looking After Louis Sullivan at the Art Institute.
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Where Have All the Windchimes Gone?
What is a beach rental coming to when the dishes are without fish? Sure, there’s a painting of a marina with a grizzled sailor on the dock above the fireplace, and I had to clear a number of rowboats and metal frog sculptures off the bureau before I could put anything down, but still, only one seahorse windchime?
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Diana Center & Architectural Bull----
Though rave reviews (
Architect,
Metropolis, previously
New York) are rolling in for
Weiss/Manfredi’s
Diana Center at Barnard College, every review has praised two things that I quickly dismissed as the most basic architectural bullshit: the copper glass and the street-level transparency.
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In Metropolis: Blue Sky Thinking
What’s really happening at Inland Steel? An ambitious LEED Platinum master plan by SOM, the 1958 building’s original architects, attracted the press, but the economy and landmarks regulations created a more modest reality.
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Make Me A Mini Monograph
In my many encounters with publishing last year, when I was trying to sell a book on Alexander Girard (Todd Oldham got there first) and architecture criticism (Princeton Architectural Press, 2011), the thing I found most depressing was the sense I got that one could only write a book about designers that were already famous.
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"We Can't Really Pay"
All of you print people who scorned bloggers but have moved into blogging and helm publications that “blog,” earth to you: You don’t pay.
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Op Art Eye Candy
I’m lucky that I get to live with a
Julian Stanczak painting, bought by my father-in-law in 1968, when Op Art was really something.
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Pomo Time Machine
I’m writing more about
Warren Platner, my favorite terribly wonderful or wonderfully terrible architect, so I have been on the hunt for other critics who share my alternating
appreciation and
dismay.
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Girl Power?
I saw this photo in the New York Times this morning and thought that Carly Fiorina’s campaign poster seemed kind of… girly.
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AIA Guide, Family Style
Page 627, upper right corner, of the new
AIA Guide mentions my husband,
Mark Dixon.
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Marigold, Goldenrod, Egg Yolk
I think of this color yellow as being so 1960, like
Kodak Carousel boxes,
made famous all over again by Mad Men.
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My .02 on the Whitney
It seems like everyone had taken their shot at
outrage, pleasure and
conspiracy theory regarding the Whitney's move from their
Marcel Breuer building on the Upper East Side to a
Renzo Piano building at the base of the High Line.
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Bloggers in the Archive
Geoff Manaugh’s announcement, on
BLDGBLOG, that he would be
blogging from the CCA this summer irritated me, partly because the idea is not brand new.
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