Girard the Magnificent
Alexander Girard was interested in important areas many architects eschew: texture, shape, tiny accessories, while simultaneously being a master of layered, gridded orthogonal space. This diversity, which seemed strange at the time, now seems like a virtue, and makes the publication of the first monograph on Girard all the more timely. And what a monograph it is!
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Reinventing the Thermostat
It is not just the iconicity of Henry Dreyfuss's 1952 Honeywell Round that the new Nest thermometer reinvents, but a number of Dreyfuss's insights about intuitive interactions and Honeywell's marketing insights about the place of the thermostat in the home. A hat-tip to Dreyfuss isn't just common courtesy, it's revealing.
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When Modernists Get Crafty
What's the difference between a textile, a door, and a screen? At the Museum of Arts and Design's
Crafting Modernism only the material. The argument of the show is that modernism wasn't a one-way industrial street, and that, during the 1950s and 1960s, there was a great deal of back-and-forth between craft and design, the rough and the smooth.
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Lunch With The Critics: Second-Annual Year-End Awards
From Twitter to Apollo, Barbie to #OccupyEverywhere: The best and worst moments in design for 2011.
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Cooking with the Eameses
Turning a fiberglass rocker into a turtle. Surfing a molded plywood coffee table. Sleeping a baby in the drawer of an ESU. Once upon a time Eames designs weren't icons, and the new book
Eames + Valastro: Design in the Life of an American Family offers a look at growing up modern.
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