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John Gall

The Nabokov Collection


The Eye by Vladimir Nabokov, designed by John Gall

Every so often, a dream project lands on your desk. Here's one: redesign Vladimir Nabokov's book covers. All twenty-one of them. Let me rephrase. Every so often the most daunting project of your entire life arrives on your desk.


Nabokov was a passionate butterfly collector, a theme that has cropped up on some of his past covers. My idea was also a play on this concept. Each cover consists of a photograph of a specimen box, the kind used by collectors like Nabokov to display insects. Each box would be filled with paper, ephemera, and insect pins, selected to somehow evoke the book's content. And to make it more interesting for readers — and less daunting for me — I thought it would be fun to ask a group of talented designers to help create the boxes.

Here's who I asked: Chip Kidd, Carol Carson, Jason Fulford and Tamara Shopsin, Megan Wilson and Duncan Hannah, Rodrigo Corral, Martin Venezky, Charles Wilkin, Helen Yentus and Jason Booher, Peter Mendelsund, Sam Potts, Dave Eggers, Paul Sahre, Stephen Doyle, Carin Goldberg, Michael Bierut, Barbara de Wilde, and Marian Bantjes. They were then photographed by Alison Gootee. The results are shown here. I hope you enjoy them.



Comments (32)   |   JUMP TO MOST RECENT COMMENT >>

An incredible project! Many of them are simply lovely but there is something catastrophically perfect about Paul Sahre's "The Luzhin Defense".
Greg J. Smith
11.09.09 at 11:26

What's especially wonderful about these covers is how tactile they appear to be. I want to just reach in and touch the specimens.
Abby Fisher
11.10.09 at 10:55

Outstanding.
When are these going to be on display at AIGA...
ande la monica
11.10.09 at 11:08

What, no Lolita?????
Catherine
11.10.09 at 12:10

Simply beautiful John. What a great idea and execution of it.
Henry Sene Yee
11.10.09 at 12:36

There seems to be one glaring omission...
WilliamKH
11.10.09 at 12:47

More to come...
John Gall
11.10.09 at 12:50

Just breathtaking. All of them are so well thought out and executed. Bravo to the concept and everyone involved in filling those little specimen boxes with visual delight.
Ian shimkoviak
11.10.09 at 01:01

Those are fantastic -- it's a brilliant project, and the individual responses are amazing, too.

Shawn Vestal
11.10.09 at 01:51

Which of the designers actually read the book in question?

@Catherine Lolita was 'covered' here with intriguing results: http://venusfebriculosa.com/?p=261
Toby
11.10.09 at 02:40

The Enchanter is sort of a Lolita as it was the story on which Lolita was based.

I love the Pnin cover!!
Karin
11.10.09 at 04:00

Which of the designers actually read the book in question?

I bet they all did. I had already read Speak, Memory so I was happy that was the cover I was given.

There seems to be one glaring omission...

I would have hated to have been assigned Lolita. Too much pressure.

Michael Bierut
11.10.09 at 05:35

Deliciously apt. What a treat for the eyes and the mind. Bravo, John.

And don't book jacket designers love to read, hence their vocation?
Marty Blake
11.10.09 at 06:27

Interesting that Lolita is not included! It seems that once again, Lolita, will not have the same overall aesthetic as the rest of the Nabokov Vintage paperbacks.

I quite like these, though my favorite Nabokov novel, Ada or Ardor, is not as lovely to me as I had hoped it'd be.
Nicole
11.11.09 at 02:54

My favorite: Invitation to a Beheading.
That little chair in front of the invite is hauntingly suggestive ...
Beth
11.11.09 at 09:19

What's especially wonderful about these covers is how tactile they appear to be. I want to just reach in and touch the specimens.
ugg boots
11.11.09 at 09:23

This series is just stunning...
Emily
11.11.09 at 10:26

What a relief! The previous Vintage covers were truly unfortunate. What I love about these is how they echo the structural elements of each novel, rather than simple subject matter. For VN, structure WAS the subject. A great example here is the cover for Despair. In the novel, Hermann believes he has found his double, though this mirroring is really all in his head. The beautifully simple cover art here enacts the same illusion: we think the colored lines mirror each other, but when we look closer we see that the shades are all different (VN was always very careful to treat each shade as an independent color). Moreover, unlike a true mirror, the colors don't meet; instead, we are given a great black void between them, and this is where Herman's "Despair" originates. Beautiful work.
Matt
11.11.09 at 11:11

Nice book cover. Very modern design for classic author
Art ideas
11.11.09 at 12:13

Wonderful! I especially like how "Look at the Harlequins!" so explicitly mirrors one of my other favorite works of literature: http://rm7guy.co.uk/5054.ClueBook04.jpg It is about doubles, after all!
Vanity Feral
11.11.09 at 08:30

John these designs are wonderful! This is a very smart assignment.
The collection reminds me of the work of Joseph Cornell, although many of Cornell’s assemblages are interactive. One of my professors once told a story of how he was working as a curator at a museum and was surprised to learn that he was in put in charge of unpacking and setting up one of Cornell’s works. There were no directions or photographs — the work and composition were to be handled by the audience.

Now how do we design an interactive The Nabokov Collection? It is the perfect format for our iPhones and you could take advantage of the new “Movement-based interfaces” that Apple just patented.

Thank you for this post!
Carl W. Smith
11.12.09 at 09:14

Simply beautiful John. What a great idea and execution of it.
ugg boots
11.12.09 at 09:38

Nabokov was a syesthete with color hearing. Did that come into play in any of the designs?
Ed Martin
11.14.09 at 09:58

Unbelievably exquisite, every one of them! My favorite design would have to be the one for Glory. Simply delectable.

When will the books be out and where can we order them? :)
Mark David
11.17.09 at 06:39

Glory is amazing looking.... it's a very creative way to solve this challenge. Transparent Things is my favorite though. It's so beautiful, I wish I could climb inside and explore.
Nichole Budd
11.20.09 at 06:43

Will these be the covers for retail books? When do they go on sale?
B
12.14.09 at 10:45

Most of these are on sale now.
John Gall
12.14.09 at 10:57

These are gorgeoous, but the one for Pale Fire is all wrong. The title comes from Shakespeare (Timon of Athens, if I remember correctly), and refers to the moon reflecting sunlight (those who have read the book will know exactly how this applies). An extinguished match makes no sense whatsoever.
Robert Myers
12.15.09 at 08:34

'Speak Memory' is simply perfect.
Stacey
12.25.09 at 05:59

You must have been so pleased to have been given such a fantastic project to work on. It's just so inspiring!
Sige
01.13.10 at 06:43

Nice post! This really helps me to find the answers to my question. Hoping that you will continue posting an article having a useful information. Thanks a lot!
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John Reese
01.19.10 at 09:00

This is a very inspired idea with intriguing results. I count "Pale Fire" and "Speak, Memory" as the strongest solutions.
Nathaniel Vaughan
01.31.10 at 02:57


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ABOUT THE SLIDESHOW

Each cover is a specimen box and the boxes are filled using paper and insect pins. John Gall, Art Director, Vintage and Anchor Books.
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ABOUT THE AUTHOR

John Gall is the art director for Vintage and Anchor Books. He is an instructor at the School of Visual Arts and currently serves on the board of AIGA/NY. He is the author (with Gary Engel) of Sayonara Home Run: The Art of the Japanese Baseball Card.
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