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Comments (13) Posted 11.19.09 | PERMALINK | PRINT

The Editors

Holiday Books 2009


Photo by Malcolm Drenttel
For this holiday season, Design Observer's contributing writers offer some recommend-ations for gifts and personal reading.

Michael Bierut recommends:

Fritz Kahn: Man Machine Maschine Mensch 
Uta von Debschitz & Thilo von Debschitz
Springer, 2009
The amazing cutaway diagrams of German scientist, gynecologist and author Fritz Kahn (1888-1968) finally get their due in a new book. Do not miss this.

Andrew Blauvelt recommends:

It Is What It Is
Michael Rock, Susan Sellers & Georgianna Stout
New York: 2x4
It was USA Today's Sports Quote of 2004. Al Gore said it when the Supreme Court's gave George W. Bush the presidency. It is what it is: 1000 images. 1000 pages (excluding endpapers). Your choice of six book cover colors. 2.75 pounds. $45.
Monica Haller: Riley and His Story
Riley Sharbonno & Monica Haller
Onestar Press/Falth & Hassler, 2009
Riley Sharbonno, a nurse at Abu Ghraib prison, photographed his daily experience using his camera to record the memories he would suppress. Artist Monica Haller offer s us 480 pages of realities that provide a glimpse into a war the media ignores, that most Americans want to forget, but one that many of its combatants can't. In Matt Rezac's design, pages fit images and not the other way around, insuring that this book functions, like Riley's camera, as a concise repository of often traumatic experiences.

Las Vegas Studio: Images from the Archive of Robert Venturi and Denise Scott Brown
Hilar Stadler & Martino Stierli, editors
Verlag Scheidegger and Spiess, 2009
A collection of images from slides, photos, and films from the original field research of 1966-1968 that would form the visual core of Venturi, Brown, and Izenour's seminal analysis, Learning from Las Vegas (1972). Like the sun-bleached image of its cover, this book captures a fugitive moment in American culture with images that parallel and in some cases presage the deadpan aesthetic of artists such as Ed Ruscha and Dan Graham or the subjects of the new color photography as practiced by artists such as Stephen Shore.
Jade-Snow Carroll recommends

Judith Lewis & David Ulin, editors
Designmatters at Art Center College of Design, 2009
Anything anyone could want to know about earthquakes: and not only L.A. earthquakes, but earthquakes in general. This book covers such topics as the myth of “earthquake weather,” to preparedness, to the art of living in perpetual denial of the inevitable. Created by the students and faculty of Art Center College of Design and designed by Stefan Sagmeister, it includes various essays and illustrations by many notables.
Harry Pearce 
It Books, 2009
Using just one box per conundrum, two colors and a single typeface, Pentagram’s Harry Pearce has authored and designed a very entertaining book. Full of great visual puzzles, there is plenty of exercise for the brain, fun for the funny bone, and candy for the eyes. A very nice gift book indeed.
William Drenttel recommends:

Invisible
Paul Auster
Henry Holt, 2009
This novel was panned by James Wood in The New Yorker ("Hints that have been scattered like mouse droppings lead us to the postmodern hole in the book where the rodent got in...") and praised by Clancy Martin in The New York Times Book Review ("So if, like me, part of why you read is the great pleasure of falling in love with a novel, then read Invisible."). I love Paul Auster's books, and this is definitely his best book in years. I loved all the "mouse droppings" in this dramatic story of incest and transformation...

Pictorial Webster's: A Visual Dictionary of Curiosities
John M. Carrera
Chronicle Books, 2009
The 1500 engravings that originally illustrated the 19th-century dictionaries of Noah Webster are a remarkably rich resource — one that lay buried in the bowels of Yale University. John Carrera has made an amazing book, collecting and restoring these illustrations from the original engravings. Collected together they tell a new story of knowledge, of nature, discoveries and innovations. A gem. 
Bibliographic: 100 Classic Graphic Design Books
Jason Godfrey
Laurence King Publishing, 2009
A fundamental resource for graphic designers and teachers, Bibliographic surveys classic graphic design books with full-color large images. Since these books cannot be easily purchased, this thoughtful survey is a gem for book lovers.

Otto Neurath
Nader Vossoughian
NAi Publishers, 2008
Modern information design was invented in the same decades by Herbert Bayer and Otto Neurath, but there hasn't been a great monograph on the important work of the latter. This is it.

Michael Erard recommends: 

The Collected Stories of Lydia Davis
Lydia Davis
Farrar, Straus and Giroux, 2009
A menagerie of (short) narrative forms; elegant and playful dispatches from a world that, refreshingly, seems to never have been visited by religion, brand names, or Freud. You'd call it science fiction, except there are no robots, either.

Andrei Molotiu, editor
Fantagraphics Books, 2009
Though "abstract comics" are (according to the editor) "sequential art consisting exclusively of abstract imagery" which may also "contain some representational elements as long as those elements do not cohere into a narrative or even into a unified narrative space," this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
Viktor Mayer-Schonberger
Princeton University Press
Looking for a dystopian notion for your sci-fi novel? Look no further. Mayer-Schönberger warns about the social and political costs and risks of ever-powerful, durable forms of memory prosthetics in the form of digital technologies, and proposes solutions. 

Jessica Helfand recommends:
William Davies King
University of Chicago Press, 2008
Nearly everyone collects something, unless you're William Davies King, in which case you collect, well, pretty much everything — from broken bits of furniture to retro cereal boxes, his tales of aggregating so much stuff are at turns funny, poignant, deeply human and delightfully visual.

Christopher Payne
MIT Press, 2009
Beautifully researched, exquisitely photographed, expertly composed and edited, this book takes readers on an engrossing tour of abandoned state mental institutions across the nation. Though devoid of living souls, Asylum is every bit the portrait: it's a portrait of a lost generation, that reverberates with human tenderness on every page. Extraordinary.

Elizabeth Siegel
Art Institute of Chicago, 2009
Long before the Dada doings of Max Ernst and Kurt Schwitters, everyday people made spectacular compositions using silhouetted photographs and no shortage of colorful ephemera. The resulting photocollages, produced at the end of the Nineteenth Century, "reveal the educated minds as well as accomplished hands of their makers, as they take on new theories of evolution, the changing role of photography, and the strict conventions of aristocratic society."

 Alexandra Lange recommends:
A Pattern Language: Towns, Buildings, Construction 
Christopher Alexander
Oxford University Press, 1977
An attempt to create a grammar of architecture that begins at the largest scale, regional transport, and ends with the smallest, the bedroom wall. In between, informed by a blend of common sense, Zen philosophy and quantitative measurement, Alexander and his colleagues develop a life-enhancing philosophy of building, drawn from that high-1970s source, sociological surveys. Always considered fairly far out, Alexander unexpectedly won the Vincent Scully Prize this year for the continuing influence of this book and The Timeless Way of Building
.
Henry James
Oxford University Press, 2008
A slim novel about the danger of loving things more than family, more than romance, possibly more than life, in which alliances between mother and son, the tasteful and the philistine, the emotional and the reserved are created and destroyed over the question of what to do with Poynton — possibly the most beautiful house in England. A cautionary tale couched in James’s most exquisitely repressed language.
Michael Sorkin
Verso, 1994
Whenever I feel that contemporary architecture criticism has gotten too dull, I flip through this collection of Sorkin’s Village Voice reviews from the 1980s, pick one, and feel instantly refreshed. Sorkin can be mean (to Paul Goldberger) and paranoid (about the Ford Foundation), but his proto-snark is thoroughly backed up with architectural analysis that is both pointed and full of feeling.
Julie Lasky recommends:
Dave Eggers
McSweeney's, 2009
Set in New Orleans during Katrina, this nonfiction account of one man's harrowing ordeal in a city dissolving into toxic anarchy could have been unremittingly harsh and depressing, but it reads like a thriller. Very hard to put down.
Nancy Levinson recommends:

Bryan Bell & Katie Wakeford, editors
Metropolis Books, 2008
This upbeat compendium is a cross-section of public-interest design polemics and projects. The projects have low budgets and large ambitions, and include remediated riverways in Taiwan, microcredit-financed housing in Mexico, lightweight shelter for Kosovo refugees, and affordable prefab in Virginia.

Anuradha Mathur & Dilip da Cunha
Rupa & Co., 2009
A powerful reinterpretation of the relationship of Mumbai to the Mithi River: What if the city ceased to combat the seasonal monsoons with hard engineering, and instead reconceived itself as an estuary, in accord with ecology and geography? Handsomely designed and produced, Soak is the catalogue for a recent exhibition at the National Gallery of Modern Art in Mumbai.

Despina Stratigakos
University of Minnesota, 2008
At the turn of the 20th century, as Berlin emerged as a modern metropolis, the city became the setting for a thriving network of women architects, artists, journalists, activists, and reformers. An elegantly written study of a neglected chapter in the city’s history that ended, like much else, with the rise to power of the Nazis.
Adam Harrison Levy recommends:
Blackstock's Collections: The Drawings of an Artistic Savant
Gregory L. Blackstock
Princeton Architectural Press, 2006
Gregory Blackstock washed pots for a living for twenty five years, played the accordion to supplement his income and hand drew hundreds of extraordinary visual lists, from hatchets to emergency trucks to wasps to Great Italian roosters. Blackstock is an artistic (and autistic) savant and his quirky and endearing drawings are a must see for anyone interested in visual communication.

Adrian Shaughnessy recommends
Faber and Faber: Eighty Years of Book Cover Design
Joseph Connolly
Faber and Faber, 2009
The book jackets of publisher Faber and Faber (oddly named since there was only ever one Mr. Faber) lack the graphic rigor of Penguin in its 50s and 60s heyday. Mostly they exude an air of fey English rusticism and Georgian poetics, but they are redeemed by the typographic covers made by German Jewish émigré Berthold Wolpe, during his long association with the company.

"Have You Seen . . . ?": A Personal Introduction to 1,000 Films
David Thomson
Knopf, 2008
At first I thought this massive book was slapdash. But I find myself returning to it even more frequently than to Thomson’s indispensable Biographical Dictionary of Film. Time after time he trains his crosshairs on the essential qualities that make films great — or flawed. And so often it's a phrase, a gesture, a mood that I’ve missed. Bravura criticism from a master.
Neuland: The Future of German Graphic Design
Twopoints.net 
Actar, 2009
Can graphic design have national characteristics in the age of the internet and globalisation? Although much of what’s on show here could come from anywhere in modern Europe, a legacy of Germanic self-belief hangs about this collection of confident work by confident young German graphic designers. Look in vain, however, for wine labels or menu cards: this is the graphic design of self-exploration and cultural enquiry. 

Alice Twemlow recommends: 

General Knowledge
Stephen Bayley
Booth-Clibborn, 2000
A zeitgeist-defining collection of 20 years of Stephen Bayley’s critical writings about design and style culled from the UK’s major broadsheets and magazines. Bayley’s direct engagement with such room-dominating and yet often-ignored elephants as taste, luxury, beauty and status makes for titillating reading in today’s austere design climate. Meticulously designed by Graphic Thought Facility whose use of highlighting and underlining seeded a deluge of similarly bureaucratic design treatments, the book is as much a cult object as one of Bayley’s revered Zippo lighters, Mont Blanc pens or Sony Walkmans. 
Geoff Dyer
A weirdly wonderful semi-fictional account of the canonical figures in the history of photography by genre-resistant writer Geoff Dyer. Organized according to a contingent taxonomy of subjects such as hats, benches, stairways and gas stations that recur in photos by Walker Evans, André Kertész, Edward Weston, Diane Arbus et al, Dyer attempts to “see if style could be identified in and by — if it inhered in — content.” 
Georges Perec
One of the prevailing preoccupations of contemporary design is a fascination with the lowly and overlooked aspects of everyday life. If such a movement has a spokesperson, it must surely be the brilliant French archivist, writer and puzzler Georges Perec. This collection contains several of his ruminative essays about what he calls “the banal, the obvious, the common, the ordinary, the infraordinary, the background noise, the habitual” as well as his approaches to classifying and analyzing it.
More recommended books here.
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Comments (13)   |   JUMP TO MOST RECENT COMMENT >>

Bibliographic is good for a dated reference. It is What it Is may be interesting (but unnecessary, as most monographs are). The rest I will sell to the Strand for a dollar fifty. In fact, I have already sold some of them as they are old books that weren't worth having around.

Instead, I recommend: White (Kenya Hara); Unimark (Lars Muller) and, to light up this recession holiday- The Making of Fantastic Mr. Fox (Rizzoli)

Peter Louloudis
12.11.09 at 10:23

While I agree with Peter that most of these books are not worth the paper it's printed on, it is interesting to see what these design blog mavens have to recommend.

Peter's recommendations are spot-on, though. I would also add to the list the soon to be republished Less But Better monograph on Dieter Rams in German and English. (rather than the original Japanese/English out of print catalogue)
Fernando Lopez
12.11.09 at 02:08

Interesting list. I felt Bibliographic was a huge disappointment, but not as much as Paul Auster's Invisible, one of his poorest novels in my opinion.

I agree on Kenya Hara's White, easily one of the best books of 2009.

The Design Museum Shop has copies of the new Dieter Rams book on sale now, even though it's not out on general release until January.

I'd add to the list:
The Invisible Commitee - The Coming Insurrection (semiotexte)
Anna Minton - Ground Control (Penguin)
Simon Armstrong
12.11.09 at 04:04

Quite agree that Geoff Dyer's 'Ongoing Moment' is an excellent book. Read it a couple of years ago and always recommend it to photographer friends.
Mark Cotter
12.12.09 at 05:35

I also agree with the suggestion of Geoff Dyer's "The Ongoing Moment," which I've just finished. I intend to dig in to the rest of his "weirdly wonderful" oeuvre, with "But Beautiful" next in line.

However, I was puzzled by calling "The Ongoing Moment" semi-fictional, as there seems to be nothing at all fictional in the book.
Scott Underwood
12.12.09 at 07:20

I have always wondered what do the contributors get for this promotion of particular books? A bunch of free books? Free dinner?
Jonathan Livingstone
12.13.09 at 07:39

As this is the forum for contributors and their kind, whom we are nonetheless grateful to have a place where such design things in general can be read and seen, it is unfortunate that we the readers have to read many suggestions when they are nothing but thinly disguised shills. The wheat from the chaff is up to ourselves to discover. In response, the reader (granted he or she is not posing as a reader when he or she is in fact one of the contributors and/or said friends of contributors) can try to offer up some suggestions to counteract the rubbish which is "recommended". At least there was no recommendation for that Oded book (the fellow who did the perverse typography) or the dated Pushpin fellow's garbage.
Michael Montanez
12.13.09 at 09:42

Good post, The Ongoing Moment by Geoff Dyer read and use for reference, good book indeed, thanks for sharing.
canvas paintings
12.14.09 at 07:50

I don't understand why the above commenters feel the need to trash books that their personal aesthetic doesn't agree with, but maybe I'm just not 'refined' enough.

These are recommendations from the bloggers - presumably what they read this year that they liked, and want to share with their readership. And I'm not going to be cynical and assume anything more.

It Is What It Is sounds really interesting, as does the book about what Mumbai should be doing for monsoon. Seriously, this list gave me something else to put on my Amazon wishlist than chick-lit and random CDs from high school. Thanks for the recommendations. :)
andrea
12.14.09 at 10:02

Every time DO publishes a book list, the same accusations of some sort of corruption or "conflict of interest" come up. Those of us who are contributors are asked for suggestions of books for the list. So, if buying (or borrowing, or stealing) a book, reading it, and then telling the DO audience that it's worthwhile is an example of offensive "shilling," then I'm confused, since there's no revenue, advertising, or even a free book in it for anyone who is writing the recommendations here (though a lot of publishers and authors send books - unsolicited - to Winterhouse).
lorraine
12.14.09 at 07:13

Expanding Architecture is a good book. I'm glad to see it on your list, a long with a lot of great books.
Drew Poland
12.16.09 at 08:43

I guess readers such as myself are just expecting that the contributors to the blog have better taste than to recommend such things.
Larry F
12.18.09 at 07:55

As the editor of one of the books on the list, I must say that I find the idea that I, or my publishers, would have the money to pay anyone to shill for us hilarious. Even our comp copy budget was pretty limited, so I'd guess this review was based on a good old-fashioned bought and paid for copy.

And thanks for the kind words!
Andrei
12.30.09 at 05:03


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