Design Observer

Archive
Books + Store
Job Board
Comments
About
Contact



Observatory

Resources
Submissions
About
Contact


Departments

Audio
Books
Collections
Dialogues
Eric Baker's Today
Essays
Events
Gallery
Interviews
Miscellaneous
Opinions
Poetry
Primary Sources
Projects
Reviews
Slideshows
Video


Topics

Advertising
Architecture
Art
Books
Branding
Business
Cities / Places
Community
Culture
Design History
Design Practice
Ecology
Economy
Education
Fashion
Film / Video
Food/Agriculture
Global / Local
Graphic Design
Health / Safety
History
Ideas
Illustration
Info Design
Infrastructure
Internet / Blogs
Journalism
Landscape
Literature
Magazines
Media
Museums
Music
Nature
Obituary
Other
Peace
Photography
Poetry
Politics / Policy
Popular Culture
Product Design
Public Art
Religion
Reputations
Science
Social Enterprise
Sports
Sustainability
Technology
Theory/Criticism
Transportation
TV / Radio
Typography
Urbanism


Comments (5) Posted 02.15.10 | PERMALINK | PRINT

Christian Wiman

"Five Houses Down"


Five Little Houses Photo: n.elle

I loved his ten demented chickens
and the hell-eyed dog, the mailbox
shaped like a huge green gun.
I loved the eyesore opulence
of his five partial cars, the wonder-cluttered porch
with its oilspill plumage, tools
cauled in oil, the dark
clockwork of disassembled engines
christened Sweet Baby and benedicted Old Bitch;
and down the steps into the yard the explosion
of mismatched parts and black scraps
amid which, like a bad sapper cloaked
in luck, he would look up stunned,
patting the gut that slopped out of his undershirt
and saying, Son,
you lookin’ to make some scratch?

All afternoon we’d pile the flatbed high
with stacks of Exxon floormats
mysteriously stenciled with his name,
rain-rotted sheetrock or miles
of misfitted pipes, coil after coil
of rusted fencewire that stained for days
every crease of me, rollicking it all
to the dump where, while he called
every ragman and ravened junkdog by name,
he catpicked the avalanche of trash
and fished some always fixable thing
up from the depths. His endless aimless work
was not work, my father said.
His barklike earthquake curses
were not curses, for he could goddamn
a slipped wrench and shitfuck a stuck latch,
but one bad word from me
made his whole being
twang like a nail mis-struck. Aint no call for that,
Son, no call at all.
Slip-knot, what-knot,
knot from which no man escapes — 
prestoed back to plain old rope;
whipsnake, blacksnake, deep in the wormdirt
worms like the clutch of mud:
I wanted to live forever
five houses down
in the womanless rooms a woman
sometimes seemed to move through, leaving him
twisting a hand-stitched dishtowel
or idly wiping the volcanic dust.
It was heaven to me:
beans and weenies from paper plates,
black-fingered tinkerings on the back stoop
as the sun set, on an upturned fruitcrate
a little jamjar of rye like ancient light,
from which, once, I took a single, secret sip,
my eyes tearing and my throat on fire.


This poem first appeared in the June 29, 2009 issue of The New Yorker and is reprinted here with the author's kind permission.

Read more poems here.



Comments (5)   |   JUMP TO MOST RECENT COMMENT >>

Good Stuff!!!

VR/
Joe Moran
02.18.10 at 05:45

twenty years from now, i will still be able to remember these images. i will see the yard, and the hands. i will know what the dishtowel feels like, and i will be able to smell the whiskey.
i won't remember the words, but i will remember what they meant. thank you.
gypsy
02.18.10 at 11:02

Beautifully written.
Owen
02.25.10 at 04:20

good! "Son, no call at all. Slip-knot, what-knot,
knot from which no man escapes — " o/


Tarcisio Bispo de Araujo
05.17.10 at 07:18

" christened Sweet Baby and benedicted Old Bitch"

Like it a lot, subtle : )

thanks
Adi
(http://twitter.com/adipawar)
aditya pawar
05.26.10 at 08:09


Design Observer encourages comments to be short and to the point; as a general rule, they should not run longer than the original post. Comments should show a courteous regard for the presence of other voices in the discussion. We reserve the right to edit or delete comments that do not adhere to this standard.
Read Complete Comments Policy >>


Name             

Email address 




Please type the text shown in the graphic.


|
Share This Story

ABOUT THE AUTHOR

Christian Wiman’s new book of poems, Every Riven Thing, is forthcoming in November from Farrar, Straus and Giroux. He lives in Chicago, where he is the editor of Poetry.
More Bio >>

ADS VIA THE DECK


DESIGN OBSERVER JOBS




RELATED POSTS


In the Palm of Your Hand: Dexterity Puzzles
A selection of rare dexterity puzzles from the personal collection of Jessica Helfand.

Two Rupees Worth
Now that the dust has settled on India's launch of their rupee symbol we are starting to see its application beyond the initial fanfare.

Viva The Villain: A Review of Despicable Me
In an age in which last week’s Bernie Madoff is next week’s BP oil spill, villains are no longer the stuff of fiction. So when a really juicy fictional villain comes along — let alone two — it’s time to go to the movies.

Bukhara: A Traveler’s Notes
Bukhara is one of the most ancient cities of the legendary Silk Road. Presented here is a slideshow of design and architecture from one traveler's visit.

The Next Great Graphic Designer
Tonight on Bravo's "Work of Art: The Next Great Artist" the winning Penguin book cover design will be unveiled, which begs a few questions. We hope our readers will weigh in with their opinions.