Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there."/>

Design Observer

About
Books
Job Board
Newsletters
Archive
Contact



Observatory

About
Resources
Submissions
Contact


Featured Writers

Michael Bierut
William Drenttel
John Foster
Jessica Helfand
Alexandra Lange
Mark Lamster
Paul Polak
Rick Poynor
John Thackara
Rob Walker


Departments

Advertisement
Audio
Books
Collections
Dear Bonnie
Dialogues
Essays
Events
Foster Column
From Our Archive
Gallery
Interviews
Miscellaneous
Opinions
Partner News
Photos
Poetry
Primary Sources
Projects
Report
Reviews
Slideshows
The Academy
Today Column
Unusual Suspects
Video


Topics

Advertising
Architecture
Art
Books
Branding
Business
Cities / Places
Community
Craft
Culture
Design History
Design Practice
Development
Disaster Relief
Ecology
Economy
Education
Energy
Environment
Fashion
Film / Video
Food/Agriculture
Geography
Global / Local
Graphic Design
Health / Safety
History
Housing
Ideas
Illustration
India
Industry
Info Design
Infrastructure
Interaction Design
Internet / Blogs
Journalism
Landscape
Literature
Magazines
Media
Museums
Music
Nature
Obituary
Other
Peace
Philanthropy
Photography
Planning
Poetry
Politics / Policy
Popular Culture
Poverty
Preservation
Product Design
Public / Private
Public Art
Religion
Reputations
Science
Shelter
Social Enterprise
Sports
Sustainability
Technology
Theory/Criticism
Transportation
TV / Radio
Typography
Urbanism
Water


Comments Posted 01.06.10 | PERMALINK | PRINT

Alexandra Lange

I Heart Huxtable



I know, earlier this week I said I liked her 1960s work better. But Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there. Witness her review of Eero Saarinen: Shaping the Future (closing Jan. 31). While other critics dithered about the politics of it all, seeming to blame Eero Saarinen for suburbanization, capitalism and Frank Gehry, Huxtable glides on by, summarizing the career and treating the work in context and in history. It is her history too, since she reviewed a number of his buildings (mixed) the first time around. She’s not OK with the eagle on top of the U.S. Embassy in London either, but she recognizes no one else has yet figured out how to build American.

Her last paragraph in particular speaks to me as a historian and as an inveterate utopian thinker.

There is something profoundly moving about this show; an inescapable nostalgia pervades it for that elusive American Century. The faith in the future, the belief that science and technology would bring us a better world, is part of a more innocent era. Seeing how one architect expressed its hopes and aspirations helps us to recapture the moment and value the maker on his own terms, in his own times, and in the context of what we have become.

|
Share This Story

Comments

Design Observer encourages comments to be short and to the point; as a general rule, they should not run longer than the original post. Comments should show a courteous regard for the presence of other voices in the discussion. We reserve the right to edit or delete comments that do not adhere to this standard.
Read Complete Comments Policy >>


Name             

Email address 




Please type the text shown in the graphic.


|
Share This Story



ABOUT THE AUTHOR

Alexandra Lange is an architecture and design critic, and author of Writing about Architecture: Mastering the Language of Buildings and Cities. (Princeton Architectural Press, 2012). Her work has appeared in The Architect's Newspaper, Architectural Record, Dwell, Metropolis, Print, New York Magazine and The New York Times.
More Bio >>

DESIGN OBSERVER JOBS









BOOKS BY Alexandra Lange

Writing About Architecture: Mastering the Language of Buildings and Cities
Princeton Architectural Press, 2012

Design Research
Chronicle Books, 2010

More books by contributors >>

RELATED POSTS


Criticism = Love
Why you have to love design to be a critic.

Year of the Women
A year-end wrap-up of my favorite stories. The common theme? Women and the making of design.

The Writings of William Drenttel
Essays from the Design Observer archive show the wide scope of William Drenttel's interests and concerns.

Collage Culture: Nostalgia and Critique
An interview with David Banash, author of Collage Culture: Readymades, Meaning, and the Age of Consumption.

MoMA's Modern Women
The Museum of Modern Art's new installation, "Designing Modern Women," could have made a bolder statement about the transformative role of women in 20th century design and architecture.