Design Observer

Archive
Books + Store
Job Board
Email Archive
Comments
About
Contact
Log In
Register



Observatory

Resources
Submissions
About
Contact


Featured Writers

Michael Bierut
William Drenttel
John Foster
Jessica Helfand
Alexandra Lange
Mark Lamster
Paul Polak
Rick Poynor
John Thackara
Rob Walker


Departments

Advertisement
Audio
Books
Collections
Dialogues
Essays
Events
Foster Column
Gallery
Interviews
Miscellaneous
Opinions
Photos
Poetry
Primary Sources
Projects
Report
Reviews
Slideshows
Today Column
Unusual Suspects
Video


Topics

Advertising
Architecture
Art
Books
Branding
Business
Cities / Places
Community
Craft
Culture
Design History
Design Practice
Development
Disaster Relief
Ecology
Economy
Education
Energy
Environment
Fashion
Film / Video
Food/Agriculture
Geography
Global / Local
Graphic Design
Health / Safety
History
Housing
Ideas
Illustration
India
Industry
Info Design
Infrastructure
Interaction Design
Internet / Blogs
Journalism
Landscape
Literature
Magazines
Media
Museums
Music
Nature
Obituary
Other
Peace
Philanthropy
Photography
Planning
Poetry
Politics / Policy
Popular Culture
Poverty
Preservation
Product Design
Public / Private
Public Art
Religion
Reputations
Science
Shelter
Social Enterprise
Sports
Sustainability
Technology
Theory/Criticism
Transportation
TV / Radio
Typography
Urbanism
Water


Comments Posted 02.17.09 | PERMALINK | PRINT

Mark Lamster

Annals of Branding, Redux


The design elves over at Pepsico have been very busy of late, as noted here last week regarding the (awful) new logo for the corporate flagship and the (much hated) new packaging for Tropicana. Pepsi has also renovated its Gatorade brand. Apparently, the word Gatorade is simply too long for the soft drink's target demographic, so the name has been shortened to a rather gnomic "G," a change signaled by a similarly opaque advertising campaign. (Looking for a bottle in the local bodega the other day, I almost couldn't find it.)

Presumably, the change is a response to the growing popularity of competitors Vitamin Water and Powerade, though how losing 7 letters is an effective response is kind of beyond me. Marketing! I remember the first time I had Gatorade. It came in a stiff metal can with a thick seam running along the side and a pull-tab top. I was a kid at summer camp — it must have been around 1980. We were given the drink during inter-camp competitions, days when we'd play sports for hour after hour in the hot sun. Of course, we loved the sweet stuff, which had a metallic taste from its container, and gulped it down. No surprise, I still like it, nevermind the signature nuclear-green color. The TV spots of 2007 banking on the drink's own history and narrated by Keith Jackson were very smart, and capitalized on that nostalgia (the Lovin' Spoonful soundtrack didn't hurt). I guess those days are gone. With a capital G.
|
Share This Story

Comments

Design Observer encourages comments to be short and to the point; as a general rule, they should not run longer than the original post. Comments should show a courteous regard for the presence of other voices in the discussion. We reserve the right to edit or delete comments that do not adhere to this standard.
Read Complete Comments Policy >>


Name             

Email address 




Please type the text shown in the graphic.


|
Share This Story



ABOUT THE AUTHOR

Mark Lamster is a writer on the arts and culture. He is Associate American Editor of The Architectural Review, and is currently at work on his third book, a biography of the late architect Philip Johnson. Follow: @marklamster.
More Bio >>

DESIGN OBSERVER JOBS









RELATED POSTS


The Whitney Identity: Responding to W(hat)?
A review of the new identity for the Whitney, designed by Experimental Jetset.

That Personal Touch
In the age of the digital signature, what does script mean?

Home Improvement
The Sweethome, where Consumer Reports and Amazon product reviews meet.

Anxiety, Culture and Commerce
Is the museum store a distraction or an enticement?

Branding By Numbers
Emblemetric backs its assessment of the American Airlines logo with "the data." Of course, that's open to interpretation.