Design Observer

Archive
Books + Store
Job Board
Email Archive
Comments
About
Contact
Log In
Register



Observatory

Resources
Submissions
About
Contact


Featured Writers

Michael Bierut
William Drenttel
John Foster
Jessica Helfand
Alexandra Lange
Mark Lamster
Paul Polak
Rick Poynor
John Thackara
Rob Walker


Departments

Advertisement
Audio
Books
Collections
Dialogues
Essays
Events
Foster Column
Gallery
Interviews
Miscellaneous
Opinions
Photos
Poetry
Primary Sources
Projects
Report
Reviews
Slideshows
Today Column
Unusual Suspects
Video


Topics

Advertising
Architecture
Art
Books
Branding
Business
Cities / Places
Community
Craft
Culture
Design History
Design Practice
Development
Disaster Relief
Ecology
Economy
Education
Energy
Environment
Fashion
Film / Video
Food/Agriculture
Geography
Global / Local
Graphic Design
Health / Safety
History
Housing
Ideas
Illustration
India
Industry
Info Design
Infrastructure
Interaction Design
Internet / Blogs
Journalism
Landscape
Literature
Magazines
Media
Museums
Music
Nature
Obituary
Other
Peace
Philanthropy
Photography
Planning
Poetry
Politics / Policy
Popular Culture
Poverty
Preservation
Product Design
Public / Private
Public Art
Religion
Reputations
Science
Shelter
Social Enterprise
Sports
Sustainability
Technology
Theory/Criticism
Transportation
TV / Radio
Typography
Urbanism
Water


Comments (1) Posted 01.25.11 | PERMALINK | PRINT

Jessica Helfand

Certificate of Approval




My father acquired this print (and several more like it) in a collection he bought from the estate of a friend in France: a certificate of approval for a pharmaceutical product, combining official stamps, labels, and signatures — a visual testament to the due diligence of a battalion of government bureaucrats who were, one can only assume, its intended audience.

It is, of course, so much more than this — a composition of stunning modernity, especially given that it was produced at the end of the nineteenth century. The print is dated 1889 — the same year that marked the Exposition Universelle in Paris, the inauguration of the Eiffel Tower and the opening of the Moulin Rouge. (Van Gogh painted Starry Night in 1889, too.) A good quarter-century before Saul Steinberg would begin making his mixed media collages, this stunning piece of graphic design gestures at once to the formality of the past and the uncertainty of its future: centered and serious, yet marginally askew and surprisingly dynamic, it’s both classical and modern. It may just be my favorite thing, ever.


The above text is an excerpt from the book I Heart Design (Rockport 2011), the book features eighty different designers, writing about their favorite piece of design. This excerpt appears here with the publishers permission.



Cover of I Heart Design, edited by Steven Heller and published by Rockport (2011)

|
Share This Story

Comments (1)   |   JUMP TO MOST RECENT COMMENT >>

It looks like Steven Heller has come up with another winner with I Heart Design. I like Debbie Millman’s selection. “When it rains it pours.” The Morton Salt umbrella girl, 1951
Carl W. Smith
01.25.11 at 09:35


Design Observer encourages comments to be short and to the point; as a general rule, they should not run longer than the original post. Comments should show a courteous regard for the presence of other voices in the discussion. We reserve the right to edit or delete comments that do not adhere to this standard.
Read Complete Comments Policy >>


Name             

Email address 




Please type the text shown in the graphic.


|
Share This Story



ABOUT THE AUTHOR

Jessica Helfand, a founding editor of Design Observer, is an award-winning graphic designer and writer and a former contributing editor and columnist for Print, Communications Arts and Eye magazines. A member of the Alliance Graphique Internationale and a recent laureate of the Art Director's Hall of Fame, Helfand received her B.A. and her M.F.A. from Yale University where she has taught since 1994.
More Bio >>

DESIGN OBSERVER JOBS









BOOKS BY Jessica Helfand

Screen: Essays on Graphic Design, New Media, and Visual Culture
Winterhouse Editions, 2001

Scrapbooks: An American History
Yale University Press, 2008

Reinventing the Wheel
Winterhouse Editions, 2002

Paul Rand: American Modernist
winterhouse Editions, 1998

Looking Closer 3
Allworth Press, 1999

More books by contributors >>

RELATED POSTS


The Alphabet Card
Excerpt from The Alphabet Card, a new book by Kit Hinrichs and Delphine Hirasuna.

The Age of Wire and String Rebooted
Granta’s new edition of The Age of Wire and String by Ben Marcus is a landmark of experimental illustration.

On the Trail of The Eater of Darkness
The Eater of Darkness is a collision of science fiction, murder mystery, Surrealism and experimental typography.

Cover Story
A book vs. its cover: Why Colubmia GSAPP students treated this year's architecture annual like garbage.

On My Shelf: Fin de Copenhague
Asger Jorn and Guy Debord’s book Fin de Copenhague is a Situationist classic and a brilliant piece of design.