
What I’m most drawn to about the show is its spectacular range of high imagination. It’s not the naïve, kitsch-fated imagination that we now associate with the heyday of the World’s Fair (or with its contemporary descendant, the trade show). It’s the kind of imagination that provokes, entertains, subverts, amuses, and changes the way the viewer thinks not just about the future, but about the present. Best of all, many of these objects express narratives and critiques—often at the same time—that transcend the bounds of the plausible, by design.
It would be an understatement to say that I like that sort of thing. ... So I was thrilled to pitch in and help MoMA’s Laura Beiles organize The Language of Objects, an evening (on November 2) of speculative responses to such a richly imaginative show. We made a list of creative thinkers, writers, and storytellers, and our top four choices promptly agreed to play along: Kenneth Goldsmith, poet; Ben Greenman, author and editor, The New Yorker; Leanne Shapton, illustrator, author, and publisher; and Cintra Wilson, culture critic and novelist.
In responding to Talk to Me, each has devised a wholly original creative work making its debut at our Language of Objects evening of words, images, audio, and, above all, imagination.
Also this:
In short, the program will be, in the true sense of the word, fantastic. Like Talk to Me itself, it’s a program that, we hope, uses imagination to enlighten. The successful narrative, whether expressed via words or a physical object or some thing built of bits, is the narrative that simultaneously entertains its audience and subtly changes the way that audience sees the world.
This is the difference between information and story: both are motivated by what might be worth knowing right now—but only one is crafted to be worth remembering.
Hope you can make it. Details here.
Rob Walker is a technology/culture columnist for Yahoo News. He is the former Consumed columnist for The New York Times Magazine, and has contributed to many publications. He is co-editor (with Joshua Glenn) of the book Significant Objects: 100 Extraordinary Stories About Ordinary Things, and author of Buying In: The Secret Dialogue Between What We Buy and Who We Are.
Where Were You?
Titans of Finance: True Tales of Money & Business
This Consumer Heaven: 55 Explorations from the Frontiers and Back alleys of 21st Century Consumer Culture
Significant Objects: 100 Extraordinary Stories About Ordinary Things
Letters From New Orleans