Design Observer

About
Books
Job Board
Newsletters
Archive
Contact



Observatory

About
Resources
Submissions
Contact


Featured Writers

Michael Bierut
William Drenttel
John Foster
Jessica Helfand
Alexandra Lange
Mark Lamster
Paul Polak
Rick Poynor
John Thackara
Rob Walker


Departments

Advertisement
Audio
Books
Collections
Dear Bonnie
Dialogues
Essays
Events
Foster Column
From Our Archive
Gallery
Interviews
Miscellaneous
New Ideas
Opinions
Partner News
Photos
Poetry
Primary Sources
Projects
Report
Reviews
Slideshows
The Academy
Today Column
Unusual Suspects
Video


Topics

Advertising
Architecture
Art
Books
Branding
Business
Cities / Places
Community
Craft
Culture
Design History
Design Practice
Development
Disaster Relief
Ecology
Economy
Education
Energy
Environment
Fashion
Film / Video
Food/Agriculture
Geography
Global / Local
Graphic Design
Health / Safety
History
Housing
Ideas
Illustration
India
Industry
Info Design
Infrastructure
Interaction Design
Internet / Blogs
Journalism
Landscape
Literature
Magazines
Media
Museums
Music
Nature
Obituary
Other
Peace
Philanthropy
Photography
Planning
Poetry
Politics / Policy
Popular Culture
Poverty
Preservation
Product Design
Public / Private
Public Art
Religion
Reputations
Science
Shelter
Social Enterprise
Sports
Sustainability
Technology
Theory/Criticism
Transportation
TV / Radio
Typography
Urbanism
Water


Comments (13) Posted 07.09.12 | PERMALINK | PRINT

Rob Walker

Interface Runes


I can’t be the only person who feels slightly embarrassed when I swipe — or, in particular, pinch — the touchscreen of an iPad. The gestures look ridiculous to me when I see other people performing them. Plus, they make me feel I’ve been somehow trained to operate this expensive device, touching a machine in a way I’ve never done before because these are the terms the machine has set for me. Perhaps I should just be thankful that Apple doesn’t make us kiss its products before we can operate them. 

Anyway, I’ve been brooding about this for a few days, since I randomly encountered, in a box full of dusty computer/device manuals and the like, the “Graffiti Reference Card” and stickers that came with a Palm Pilot I owned years ago. It felt like discovering evidence of a dead language. Look at these evocative and mysterious interaction-design runes:

For those of you who don’t recall, or who simply ignored it, Palm was for a time a leading brand in the “personal digital assistant” market, enjoying a fair amount of success with its digital address/calendar devices. These products did not, obviously, reach the cultural-phenomenon level of Apple’s iThings, but they were certainly more pervasive than, say, the Newton.

Today it seems absurd to purchase and carry an object that does little but hold digitized calendar and contact information, functions that are afterthoughts on modern cell phones. But what’s far more amazing to me is the notion of demanding users adjust their gestural relationship to the alphabet itself.

To add new entries to the Palm Pilot, you could use your computer and sync them to the device. Or, if you wanted to add something “on the go,” you could write it onto the screen with a stylus. But that involved mastering this uncanny alphabet. I was never very good at it, and ultimately found it more efficient to write things down (in traditional English, with a pen, onto paper) and add them via the desktop software later. I have no memory at all of the “Advanced Strokes” offered on the instruction card (with the daunting directive to refer to the Palm’s “handbook” for “details”). I’m astonished to see that it was possible to add accent marks and a variety of specialty characters.

At the time, Palm’s “Graffiti” language was seen as an improvement over previous versions of such software. But I’m less interested in the overall history of handwriting recognition and the stylus and so on — or its progress since then — than I am in this little graphic time capsule. I love the way many letters are somewhat recognizable but incomplete (like “A” and “K”) while others seem harder to comprehend without looking at adjacent letters to deduce what they represent (“F,” and “T,” for instance).

It seems unnatural to have invented symbolic stand-ins for the alphabet. Then again, the alphabet itself is a symbolic stand-in; the word “tree” doesn’t reflect the reality it refers to any more naturally, as it were, than its Graffiti Alphabet equivalent. (I poked around a little to see if someone has devised a type-translator that would allow me to render words in a sort of Graffiti Alphabet font, but I came up empty.)

And I guess this is what the swipe and pinch and stroke and poke of touch-screen technology really transcends. At times it feels unnatural to me to interact with a gizmo this way, but to be honest, it often doesn’t feel unnatural at all; most of the time, I hardly think about it. Probably what matters more in judging post-language touch-screen navigation — and this can be a litttle unnerving — is watching a toddler, too young to speak, but evidently hard-wired to swipe and poke, navigate a touch-screen device. No reference card required.

Speaking of which, having discovered these artifacts, I'm not quite sure what do with them. Although the card seems like evidence of something, I suspect I'll throw it out. But I did find a use for the stickers: They're affixed, now, to the back of my iPad. A little joke that I'm sure anyone who notices will find perfectly inscrutable.

 

 

|
Share This Story

Comments (13)   |   JUMP TO MOST RECENT COMMENT >>

From "The Future" to forgotten hieroglyphics in just 12 years. Time's a goon.

07.09.12 at 04:03

I loved being reminded of that. Unlike 12-year-old music, which comes back to you naturally through different venues, technology that old just disappears; forgotten. I knew and used those characters and thought they were wonderful.

07.10.12 at 01:07

Now my existence feels even more absurd as it usually does, because I'm still using my Palm III as calendar and address book...

Maybe it is somewhat too early to bury Graffiti as there is an Android that transfers these runes of the mobile stone age to the modern times:

http://www.androidpit.com/en/android/market/apps/app/com.access_company.graffiti_pro/Graffiti-Pro-for-Android

07.11.12 at 01:00

Congratulations, Rob. You've discovered the long, lost Rosetta Stickers. I guess nothing is set in stone these days.

07.12.12 at 11:58

There are some lasting effects—I still tend to write the letter V "backwards" (starting from the right), which was undocumented Graffiti.

07.12.12 at 03:35

“Apple doesn’t make us kiss its products before we can operate them.”
Get Siri-ous

Rob, the iPad is only 2 ½ years old but it has a microphone on the keypad (iPad3) and people are falling in love.




But if you are interested in this little graphic time capsule of “Graffiti” check out Elements of Design Rowena Reed Kostellow and the Structure of Visual Relationships. Rowena has wonderful samples in the book (offline) of a graphic 3D language. I am looking at it with my 3D printing curriculum.

http://www.papress.com/html/book.details.page.tpl?isbn=9781568983295

07.13.12 at 06:45

I remember Graffiti well (and that hidden, In-and-Out secret menu like backward V, Hans!).

It was actually a brilliant, non-linear concept that solved the OCR limitations that doomed its predecesors, including the Newton: The realization that it was a lot easier to program us to learn a simplified and easily OCRd set of characters than to program a deivce to tease out meaning from our widely varied handwriting.

Rob, your best observation here is that we once felt (not that many years ago) that having a digitized calendar and address book with manual updates was a great leap forward.

07.13.12 at 01:56

I found a Grafiti font. http://www.ufonts.com/fonts/graffiti-palm.html - which downloaded ufonts.com_graffiti-palm1.ttf

I remember having the 512k Pilot, the 1MB Palm Pilot, the Palm III, the Palm /// (different silkscreen!), the m105, m130, and several Handspring devices with springboard modules.

When I first began to use Palm, I had a spiral bound notebook that I practiced the alphabet in.

07.15.12 at 08:46

vmarks that is an excellent find! Thanks so much! More on your comments and all others when I am back at the home computer.

07.16.12 at 04:38

From Graffiti to Grok
“Intelligence is defined by Prediction.” — Jeff Hawkins
http://www.numenta.com/

Rob,
So . . . Graffiti was developed Jeff Hawkins.
Have you read his book — On Intelligence?

. . . and if Grok is the new prediction engine for streaming data, then wouldn’t it be great to apply it to trading patterns (or data sources) like the “Boston Shuffle, Wild Thing” or the “Blue Zinger” that you bring up in your interview with Kevin Slavin?

07.16.12 at 11:00

Norman: That's also a rather fascinating link. Clearly Graffiti is more durable than I thought (although I'm always working on the assumption that nothing ever really dies anymore. There was an interesting Kevin Kelly / Robert Krulwich debate about that, here: http://www.npr.org/blogs/krulwich/2011/02/24/133962028/tools-never-die-the-finale).

Carl W. Smith: Thanks on both tips, and I have not read "On Intelligence" (though I remember reading about it, and a lot about Hawkins, back in the Palm day). I'll look at that and Elements of Design. The Grok bit I have to ponder a bit more. So I can grok it.

Robert Swartz: I vividly remember thinking my Palm Pilot was an awesome thing. I was splitting work time between an office and home, and what it replaced for me was the unfortunate need to carry two rolodexes back and forth on the subway every week or so. So a digital address book was amazing.

Love all the other comments, particularly from you Palm Pilot vets.

And again: Thrilled, vmarks, to have downloaded that Graffiti Font!

Rob

07.19.12 at 05:01

Graffiti was a pain the neck. I cannot believe they actually paid my uncle to come up with that. I mean who would bother with such a thing. But that's just me looking through 21st century eyes. I'm pretty sure when Palm Pilot commissioned S.R.I. Standford Research Institute to improve on their old system, Carter was still President or just being shown the door. So then my uncle John Ostrem PhD came up with Graffiti. It's interesting seeing the timeline of how things progressed. Graffiti doesn't seem like much now but it is a direct decedent to text messaging. John dedicated a few more years into hand writing and proprietary pattern recognition technologies which then became C.I.C. Computer Intelligence Corporation. After that John and his Chinese buddy from SRI Jiping Wang were the first Americans to own a corporation in mainland China. It was called China MobileSoft writing the instructions for cell phones and handheld communication devises without selling your soul to an operating system company that would want royalties forever like Symbian or Microsoft. Instead they used Linux. Jiping stood as the President with Chinese citizenship and John funded it through a Bermuda holding company. 5 years ago it was sold to Palm Source.

12.26.12 at 12:47

Thanks for this. I like that point about graffiti and text messaging -- I wonder who, at the time, would have predicted that thumb-typing would prove a more popular solution?

12.28.12 at 09:25


Design Observer encourages comments to be short and to the point; as a general rule, they should not run longer than the original post. Comments should show a courteous regard for the presence of other voices in the discussion. We reserve the right to edit or delete comments that do not adhere to this standard.
Read Complete Comments Policy >>


Name             

Email address 




Please type the text shown in the graphic.


|
Share This Story



ABOUT THE AUTHOR

Rob Walker is a technology/culture columnist for Yahoo News. He is the former Consumed columnist for The New York Times Magazine, and has contributed to many publications. He is co-editor (with Joshua Glenn) of the book Significant Objects: 100 Extraordinary Stories About Ordinary Things, and author of Buying In: The Secret Dialogue Between What We Buy and Who We Are
More Bio >>

DESIGN OBSERVER JOBS









RELATED POSTS


That Personal Touch
In the age of the digital signature, what does script mean?

Architecture Without Signs
If you can't find the entrance, there's a problem with the architecture.

Big, Hairy, and Agile
The UK government’s digital services platform, gov.uk, has won the Design of the Year award.

The Panic Option
A rental car's key fob design emphasizes "Panic" over all other options. Is that really a good idea?

Overshareability
Evernote's introvert focus raises a question: Has digital design become overly obsessed with extroverted behavior?