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Comments (6) Posted 10.30.13 | PERMALINK | PRINT

Rick Poynor

Belgian Solutions: The True State of Things?



David Helbich, Palais de Justice, Brussels (not in book)

On a recent trip to Belgium, I was struck once again by how attractive the country’s domestic buildings are. Traveling by train and tram, I spent time looking out of the window trying to decide what it is about even the most modest Belgian houses that gives them a wonderful sharpness of outline and satisfying neatness of form — compared to, say, ordinary British houses, which tend, on average, to look much less characterful and considered.

With these positive environmental impressions in mind, the discovery, during my visit, of a new book of photographs titled Belgian Solutions Volume 1 (MediuMER) came as a sobering surprise. The phrase “Belgian solutions” is certainly not intended here as a compliment. The 300 photos, presented at 4 x 6 inches like routine snapshots, show an urban environment that appears to be something of a mess. The pictures document instances where people have tried to solve a problem or make an improvement, but it hasn’t worked. An extemporized fix — as in any of the photos shown here — might be awkward, illogical, ugly, ridiculous, baffling, or just funny. Once the solution has become part of the streetscape, the chances are that it will remain there along with other misbegotten fixes that also don’t work.


David Helbich, location unknown


David Helbich, Metro Rogier, Brussels

The pictures are the perceptions of David Helbich, a German artist based in Brussels, who has lived in Belgium for a decade. This puts a slightly odd complexion on the project. It’s one thing to have a laugh at the expense of your own nation, but perhaps a mite ungracious, when you come from a country (excuse the cultural stereotype here) that’s renowned for its efficiency, to describe your host’s moments of embarrassment in such baldly national terms. Belgian Solutions is an undeniably arresting title, but do these pictures reveal uniquely Belgian modes of failure?

Obviously they don’t. You can encounter this kind of mishap anywhere that people build sprawling settlements. Neglecting things, making do, trying to patch up and mend inadequacies but not delivering a smooth and professional job is a universal tendency. It would be more accurate to dub the book “Human Solutions” and Belgian Solutions’ online HQ tacitly acknowledges this. On Facebook, where the project took off — there’s also a recently launched website — Helbich receives “Belgian solution” photos from contributors around the world, giving browsers an opportunity to chuckle with amusement at unfortunate street interventions discovered in Paris, Athens or New York (he has included 40 photos by other people in the book). I dare say Germany has a few of these gems, too. Still, it can’t be good news for Belgium if the adjective “Belgian” starts to gain currency as an international synonym for “dumb.” Nothing could be more mistaken or unfair.


David Helbich, location unknown


David Helbich, VRT radio and television studios, Brussels (not in book)

In case it’s not coming across, aside from misgivings about the venture’s name, I find this a fascinating project that makes a nicely understated book. Helbich’s pictures dwell on a phenomenon that has preoccupied me for a long time, and that has come to change my view of design, or at least my expectations of design’s possibilities. Design, the great would-be panacea, creates enclaves of relative harmony in the city. That so much does work reliably, and even looks halfway acceptable, is down — putting it very broadly — to design (I’m including architecture under this heading). Yet design’s ameliorations are always framed and circumscribed by the money set aside, the degree of political, civic and organizational will, and the resources made available. The uneven distribution of design’s attentions is particularly obvious when we make comparisons between the commercial sphere and the often less well tended public realm. Even when economies are thriving during years of boom, there are numberless locations and interstices in any city where the cash, and therefore design’s overhauls and renovations, never manage to penetrate.

So this is what Belgian Solutions lays out for us. These foul-ups aren’t atypical moments of dysfunction, occasional temporary hiccups, easily airbrushable lapses of knowhow and good taste in a world that is elsewhere running as frictionlessly as we might wish. These crudely stitched up ruptures and half-resolved breakdowns are simply the way some things are in most places, even wealthy places, and will continue to be for any foreseeable future, in complex cities and towns, where responsibility is dispersed, uncertain or absent, and someone needs to step in and adjust, correct or replace something, however incompetently. It would take impossibly expensive squads of constantly mobilized design and infrastructure guardians to maintain everything everywhere at a pitch of functional and visual resolution at all times. Would many of us even appreciate such a relentlessly regulated and manicured existence? I can’t say that fantasy of oppressive perfection appeals to me in the slightest.


David Helbich, location unknown


David Helbich, location unknown


See also: 
New York: City of Spectacular Doors 
Robert Brownjohn: Photos at Street Level
Herbert Spencer and The Book of Numbers
Typographic Stories of the City Streets 
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Comments (6)   |   JUMP TO MOST RECENT COMMENT >>

http://typischbelgie.be ( www.facebook.com/typischbelgie.be )

10.30.13 at 12:36

www.facebook.com/BelgiumOnly

10.30.13 at 12:37

www.facebook.com/DeGeksteDingenDieVoorkomenInBelgie

10.30.13 at 12:37

And then there is the photo-blog Ugly Belgian Houses.

http://uglybelgianhouses.tumblr.com/archive

10.30.13 at 03:10

Sadly, it's not just Belgians:
See http://hadonejob.com/

11.01.13 at 04:19

Well, I think every country has this kind of things and it's not considered art... actually, I think it may be considered art if the perspective of the viewers makes it that way.

11.03.13 at 05:50


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ABOUT THE AUTHOR

Rick Poynor is a writer, critic, lecturer and curator, specialising in design, media, photography and visual culture. He founded Eye, co-founded Design Observer, and contributes columns to Eye and Print. His latest book is Uncanny: Surrealism and Graphic Design.
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DESIGN OBSERVER JOBS









BOOKS BY Rick Poynor

Uncanny: Surrealism and Graphic Design
MG Publications, 2010

Typographica
Laurence King, 2001

Obey the Giant: Life in the Image World
Birkhäuser Architecture, 2007

No More Rules: Graphic Design and Postmodernism
Yale University Press, 2003

Looking Closer 3
Allworth Press, 1999

More books by contributors >>

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