Design Observer

Archive
Books + Store
Job Board
Email Archive
Comments
About
Contact
Log In
Register



Observatory

Resources
Submissions
About
Contact


Featured Writers

Michael Bierut
William Drenttel
John Foster
Jessica Helfand
Alexandra Lange
Mark Lamster
Rick Poynor
John Thackara
Rob Walker


Departments

Advertisement
Audio
Books
Collections
Dialogues
Essays
Events
Foster Column
Gallery
Interviews
Miscellaneous
Opinions
Poetry
Primary Sources
Projects
Report
Reviews
Slideshows
Today Column
Unusual Suspects
Video


Topics

Advertising
Architecture
Art
Books
Branding
Business
Cities / Places
Community
Craft
Culture
Design History
Design Practice
Development
Disaster Relief
Ecology
Economy
Education
Energy
Environment
Fashion
Film / Video
Food/Agriculture
Geography
Global / Local
Graphic Design
Health / Safety
History
Ideas
Illustration
India
Industry
Info Design
Infrastructure
Interaction Design
Internet / Blogs
Journalism
Landscape
Literature
Magazines
Media
Museums
Music
Nature
Obituary
Other
Peace
Philanthropy
Photography
Planning
Poetry
Politics / Policy
Popular Culture
Preservation
Product Design
Public / Private
Public Art
Religion
Reputations
Science
Social Enterprise
Sports
Sustainability
Technology
Theory/Criticism
Transportation
TV / Radio
Typography
Urbanism
Water



Joanne Chew

China: Brooms, Mops and Chairs




I’ve always been fascinated by common, everyday objects. Such fascination is often fueled by the ordinariness of such objects — mops and brooms and chairs, for instance — in which the simplicity of their form and their basic, utilitarian nature exude a kind of raw, ethereal beauty.

While exploring the streets of China, I would find many mops and brooms lying about in random public places. Such tools are usually regarded as unsightly and we keep them stored or hidden away in our homes: but not in China. Mops and brooms here also look very different from the ones I’ve seen elsewhere: here, they tend to be beaten-up, weathered and hand-made, as opposed to the high-tech, ergonomically designed machines common in the West.


Upon discovering one, I would stop and snap a photograph, as if it were a century-old relic. Collectively, these images paint a picture of the way Chinese people live and amplify, to some degree, the dichotomy between public and private space. Considering them within the broader historical context of this country reframes the relationship between Chinese people and their streets and is, for that matter, a testament to their communal living habits.

All photographs © Joanne Chew
|
Share This Story

RSS Subscribe to Comment Feed

Comments (6)   |   JUMP TO MOST RECENT >>

Love the brooms, and the written article! Well done
Ruby Johnson
05.26.11 at 09:23

what an interesting article. kudos.
Ade
05.26.11 at 10:59

An interesting, uncommon take on the everyday common objects… well done!
GP
05.27.11 at 02:57

You've given the humble broom and mop a voice, and a very eloquent one at that. Love the pictures and the article!
Minn
05.29.11 at 02:10

Very interesting!! Lovely picture~~ I saw them all the time, the first time I look at them from a very different way~ Thank YOU!!
carole
06.05.11 at 11:27

Hand-made and of botanical origin. You're right - that's what our Asian cleaning implements are still made of. Their origin is what allows age and use to give them a sort of beauty. There is a good term for it in Japanese, transliterated as 'wabi-sabi', which roughly means the attractiveness of everyday objects that are slowly aging. But there is another reason for the appeal of everyday and commonplace objects - and that is they provide a comforting evidence of life being lived, chores being attended to, care being expended. Thank you for a sensitive look at little things.
Rahul Goswami
06.10.11 at 02:59



LOG IN TO POST A COMMENT
Don't have an account? Create an account. Forgot your password? Click here.

Email


Password




|
Share This Story



ABOUT THE SLIDESHOW

Mops, brooms and chairs, found in various locations in China and photographed by Joanne Chew.
View Slideshow >>

ABOUT THE AUTHOR

Joanne Chew graduated from Parsons the New School for Design in 2008 with a BFA degree in Communication Design+Technology. She is currently studying the Chinese language in Beijing and has assumed the role of a cultural observer.
More >>

DESIGN OBSERVER JOBS









RELATED POSTS


When the Spirit Comes to Him as the Voice of Morning Light
A poem by Michael McGriff.

The Well-Tempered Environment
Water features, old trees, food trucks. Three elements of the architecture of outdoor civic life in North Texas.

The Strange Afterlife of Common Objects
In lstanbul shops like The Works: “Objects of Desire,” the novelist Orhan Pamuk found the artifacts for his newly opened Museum of Innocence.

The Mother of Us All
Reyner Banham on Esther McCoy: "She speaks as she finds, with sympathy and honesty, and relevantly to the matter at hand." Could there be a better definition of the role of the critic?

Public Space and Citizenship: An Interview with Elihu Rubin
Public spaces can be charged politically because they enable citizens to gather, to represent themselves and to transmit messages.