Film / Video
02.22.13:
Rick Poynor
The Experiential Thrill of Driving in Films
A new book,
Drive, shows how the car scenes in movies help us understand the experience of modernity.
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01.07.13:
Alexandra Lange
George Nelson in Two Dimensions
Ignore the Coconuts and Marshmallows, admire George Nelson's modular graphics.
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01.03.13:
Rick Poynor
On My Screen: Shooting the Past
Stephen Poliakoff’s
Shooting the Past, set in a fictitious photo library, is a film that could haunt you for years.
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12.19.12:
Alexandra Lange
Bad Taste True Confessions: Erté
True confessions about my own bad taste. I loved Erté. Did you?
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11.13.12:
Alexandra Lange
Knolling Your Polling Place
Knolling your polling place: for the next election, a little spatial organization would go a long way.
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10.23.12:
Rick Poynor
True Stories: A Film about People Like Us
Ambiguous but prescient, David Byrne’s film
True Stories is a classic piece of postmodern pop anthropology.
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09.09.12:
Rick Poynor
John Stezaker: Images from a Lost World
John Stezaker’s
collages, recipients of a major photography prize, achieve great resonance with limited means.
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09.02.12:
Rick Poynor
It's Smart to Use a Crash Test Dummy
The image of the crash test dummy has traveled from the subcultural fringes to the pop culture mainstream.
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07.06.12:
Rick Poynor
Design a Cover for Eno's Music for Films
LA architect John Bertram has set a competition to design an alternative sleeve for
Music for Films by Brian Eno.
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06.04.12:
Michael Bierut
I Love the 80s
Miami Vice: the quintessential postmodern design artifact, in all its glory and all its disgrace.
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05.18.12:
Rob Walker
The Theater of Making
What videos depicting the story of stuff-being-made are really about.
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04.11.12:
John Thackara
'Beyond Good Intentions' – The Movie
A new documentary hopes to answer the question "What happens in a disaster area after the initial wave of support?"
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04.05.12:
Alexandra Lange
Frank Lloyd Wright + Katniss Everdeen
On photographing architecture as sculpture and telling stories via architecture.
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04.03.12:
Laura Weiss
Woody Allen, Creative Management Genius
Woody Allen's movie-making process offers three insights that have application to anyone who leads a creative enterprise or manages a creative process.
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01.11.12:
Pat Kirkham
Reassessing the Saul Bass and Alfred Hitchcock Collaboration
The evidence, scholarship and debates: Saul Bass and the famous shower scene in “Psycho.”
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01.01.12:
Rick Poynor
On My Shelf: Jean-Luc Godard Anthologized
Lawrence Ratzkin’s cover design
for an early anthology about Jean-Luc Godard is almost an anti-cover.
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12.23.11:
Rick Poynor
How We Learned to Live with Zombies
Zombie films, zombie walks, zombie shops, zombie TV series: our darkest fears are now mainstream.
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11.10.11:
Rick Poynor
Literary Horror from the Chapman Brothers
British artists Jake and Dinos Chapman have created an image of sublime horror for the cover of
Granta magazine.
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10.28.11:
Alexandra Lange
Tell Me a Story, 'Urbanized'
A city is not a font or a toothbrush, so why, in Urbanized, does director Gary Hustwit treat them the same way?
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10.20.11:
Mark Lamster
Watching Movies about Architecture (and Design)
What makes a good film about architecture and design?
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10.16.11:
Rick Poynor
Did We Ever Stop Being Postmodern?
Like it or not, argues the V&A's exhibition about postmodernism and design, we are all postmodern now.
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09.22.11:
Rick Poynor
Jan Svankmajer and the Graphic Uncanny
Uncanny: Surrealism and Graphic Design opens at the Kunstal in Rotterdam on September 24.
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08.22.11:
Adam Harrison Levy
A Clean, Well Lighted Place
Walking into Jeff Koons’s studio is like entering a medical laboratory crossed with an open plan office. It’s an ER room for art.
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07.07.11:
Adam Harrison Levy
Jump Cut: Thoughts on Editing
What can designers, architects and writers learn from the art of film editing?
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06.23.11:
Josh Berta
Cars: Pixar Falls for Intelligent Design
Cars: Pixar's greatest misstep in design, and perhaps film in general.
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06.22.11:
Alexandra Lange
Jane Austen, Architect?
Why is Austen next to Ballard on the Designers & Books lists?
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06.06.11:
Rick Poynor
Is That a Gun in Your Pocket?
A DVD cover for the classic film noir
Kiss Me Deadly uses the blindingly obvious symbol that just keeps on giving.
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04.28.11:
Rick Poynor
On My Screen: The Back of Beyond
John Heyer’s
The Back of Beyond, made for Shell Australia in 1954, is one of the country’s finest films.
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04.21.11:
Rick Poynor
Wim Wenders' Strange and Quiet Places
The massive photographs in film director Wim Wenders’ new exhibition work best when they serve his painterly eye.
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03.21.11:
John Thackara
From Bankster HQ to Start-up Central in Iceland
The Start-Up Kids is a documentary about young entrepreneurs who have founded web and media startups in the US and Europe.
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02.21.11:
Alexandra Lange
Neat Freaks
Organizing things neatly = what IBM, Ray Eames, Herbert Matter and Tumblr have in common.
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02.18.11:
Mark Lamster
An Empire State of Mind
Join in a running commentary on Andy Warhol's film "Empire," at MoMA.
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02.10.11: Michael Bierut
Five Years of 100 Days
Five years of a 100 day workshop taught by Michael Bierut at the Yale School of Art.
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01.12.11:
Alexandra Lange
Bring Back Braids
The
True Grit of hairstyles: braids.
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12.10.10: Michael Bierut
At the Movies with Javier Mariscal
Chico & Rita is a new animated film by Spanish designer Javier Mariscal and director Fernando Trueba.
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12.08.10:
Alexandra Lange
No Rest at the Last Supper
"Leonardo's Last Supper: A Vision by Peter Greenaway" is indeed a dud: cheese-tastic, bombastic, didactic.
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12.03.10:
Rick Poynor
On My Screen: Bill Morrison's Decasia
The avant-garde classic
Decasia, assembled from decaying film stock, is a sublime vision of another reality.
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11.29.10: Nancy Levinson
Art Talks
Adam Lowe and Peter Greenaway at the Park Avenue Armory in New York City; Justin Partyka and Sir Terry Farrell at Eleven Spitalfields in London,
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11.05.10: Nancy Levinson
Greenaway at the Armory
Peter Greenaway's
Leonardo's Last Supper: A Vision, at the Park Avenue Armory in New York.
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08.25.10:
Alexandra Lange
This is a Terrible Poster
I saw the poster for the Facebook movie,
The Social Network, at the Bergen Street station yesterdayand all I could think was,
This is a terrible poster.
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08.22.10:
Alexandra Lange
The Language of "Kids Are All Right"
Finally escaped my house for an evening Saturday night and saw
The Kids Are All Right, which I loved.
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08.14.10:
Alexandra Lange
Modern Houses and Doomed P.M.s
In Roman Polanski’s
The Ghost Writer Ewan McGregor sleuths instead of writes.
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07.14.10:
Jessica Helfand
Viva The Villain: A Review of Despicable Me
In an age in which last week’s Bernie Madoff is next week’s BP oil spill, villains are no longer the stuff of fiction. So when a really juicy
fictional villain comes along — let alone two — it’s time to go to the movies.
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07.10.10:
Alexandra Lange
Heavens
I finally managed to visit back-to-back versions of my idea of heaven:
A Single Man — Tom Ford’s tribute to 1960s style — and
Dia:Beacon
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05.24.10:
Alexandra Lange
Modernism on the Range
I was amused that the Incredibles lived in a
little Marcel Breuer butterfly-roof box, one much like the 1948
House in the Museum Garden.
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05.17.10:
Alexandra Lange
On DO: 'Please Give' and Design People
You can imagine my glee at the second scene in
Please Give, starring
Catherine Keener and
Oliver Platt as the owners of a vintage modern furniture shop.
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05.17.10:
Alexandra Lange
The Maddening, Rewarding World of Design People
Most design people I know — don’t feel guilt over knowing what is priceless and what is junk. The film Please Give also thinks they know what it is worth.
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05.15.10:
Eric Baker
Today, 05.15.10
Each morning, before starting work, I spend 30 minutes looking for images that are beautiful, funny, absurd and inspiring. Here's TODAY.
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04.08.10:
Alexandra Lange
On Knowing Where The End Is
I showed my NYU architecture criticism class the recent documentary on
Julius Shulman,
Visual Acoustics, last week.
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04.07.10:
Alexandra Lange
Anthony Lane Fugs Too
Anthony Lane pans
The Clash of the Titans.
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02.26.10:
Alexandra Lange
Coloring Book
I loved Jane Campion’s film, despite my feeling that it might not be true, and it must surely be anachronistic.
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02.02.10:
Alexandra Lange
All Rubble Is Not Alike
I watched
Manufactured Landscapes in the weeks before Christmas and it was just too depressing to post about in the run-up to gift day.
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01.13.10:
Alexandra Lange
The Yuck Factor
Watch
District 9 as a palate cleanser after the visual feast of
Avatar.
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01.13.10:
Adrian Shaughnessy
Logorama
A world colonized by brands is the theme of a new film,
Logorama, by French designers and filmmakers H5.
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01.10.10:
Alexandra Lange
It's Not Just Me
Way back in the beginnings of blogging in July, I praised the French film
Summer Hours.
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01.02.10:
Alexandra Lange
Annotated Avatar
Avatar is itself a hack, James Cameron is less auteur, more sci fi magpie.
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12.22.09:
Alexandra Lange
The Women
While Manohla Dargis rants about the lack of women in charge in Hollywood save for Nancy Meyers, Zaha Hadid similarly represents the dirth of women in architecture.
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12.14.09:
Alexandra Lange
In a F.O.G.
I am thinking about adding films to my undergraduate class at NYU, namely
Sketches of Frank Gehry.
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12.11.09:
Alexandra Lange
Where Have All the Type Geeks Gone?
Set in Helvetica, the title for
Up In the Air looks plain wrong.
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10.29.09:
Alexandra Lange
Tableaux Vivants
If someone asked me to write a profile of Wes Anderson, I would start with corduroy.
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10.20.09:
Alexandra Lange
Buy It Now
I watched two episodes of the Sundance Channel’s new advertisement for Anthropologie,
Man Shops Globe, and failed to be caught up in the drama.
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10.12.09:
Alexandra Lange
Unhappy Homes
In
Revolutionary Road and
Away We Go, the characters lack believable emotion because they fail to convince us that they are in a house, rather than a set.
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09.20.09:
Jessica Helfand
A Stitch in Time: A Review of 9
The comically repetitive date of 090909 iss thought to be a lucky day, a day of optimism and interconnectedness. It was also the release date for the new animated film,
9.
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09.20.09:
Mark Lamster
Underground Architects
The one question people often ask that I don't enjoy answering is, "Who's your favorite architect?"
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09.17.09:
Alexandra Lange
White Columns
In Valentino: The Last Emperor, one dress is followed in all of its incarnations, while architecture is put in its place.
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08.26.09:
Alexandra Lange
Cooking for Crowds
Nora Ephron, or at least production designer Mark Ricker, must have spent a fortune on cute lamps for the set of Julie & Julia.
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08.23.09:
Alexandra Lange
Blackboard Jungle
Tell No One turns out to be a snoozy French thriller while
Entre les Murs (
The Class) makes up for it.
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08.14.09:
Alexandra Lange
Between Buildings
Man on Wire is only so-so, but Phillipe Petit's personality and the imagery of his three major walks are not to be missed.
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08.11.09:
Alexandra Lange
Outsider Art
After watching
Ride With the Devil, I discovered the common thread in Ang Lee's films.
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08.05.09:
Alexandra Lange
D.I.Y.
There seems to be some questionable parenting in
Caroline.
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07.31.09:
Alexandra Lange
England's Next Top Model
In
The Duchess, the gratuitous sex scenes were the least of the film's problems.
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07.16.09:
Alexandra Lange
Cold Comforts
I can't but write about the objects in
Summer Hours,
Revolutionary Road, and
Frozen River.
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07.09.09:
Alexandra Lange
Little Dictators
Zhang Yimou's
Ju Dou makes a strong commentary on parenting.
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07.05.09:
Alexandra Lange
Battle Lines
In
Waltz With Bashir, director and protagonist Ari Folman makes amazing use of animation to tell a most unfunny tale of recovered memory and national guilt.
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07.01.09:
Alexandra Lange
Child's Play
Unlike the stories documented in the film
Nursery University, my experience of enrolling my child in preschool in New York City was completely different.
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06.25.09:
Alexandra Lange
Breaking Up Is Hard to Do
After viewing
He's Just Not That Into You and
Confessions of a Shopaholic, I need to effect my own romantic comedy ban.
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06.22.09:
Alexandra Lange
Perfect Pairs
Our admiration for Kelly Reichardt’s
Wendy and Lucy led us to Netflix her first film,
Old Joy.
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06.21.09:
Michael Bierut
Spoiler Alert! Or, Happy Father's Day
Dad couldn't help it. He was a natural born spoiler.
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06.18.09:
Alexandra Lange
Aloysius is Missed
I took my chances to see if the 2008 remake of
Brideshead Revisited was as good as the multi-part original.
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06.16.09:
Alexandra Lange
Textile Psychology
In
Brick Lane it is the fabric that does most of the talking, for while the novel is very interior, the film is not.
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06.09.09:
Alexandra Lange
Auto Pilot
While watching
Chop Shop, I was bored not by the plotlessness, or even the purposely inartistic direction, but by the lack of acting.
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06.08.09:
Alexandra Lange
Romance Is Dead
There are some movies so bad I can’t bear to put them in my Netflix queue, but
He's Just Not That Into You somehow made it in.
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06.06.09:
Alexandra Lange
Dog Days
Wendy and Lucy may be the feel-bad movie of the year, but it is beautiful, terrifying and real.
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06.04.09:
Alexandra Lange
Worst Case Scenario
Two of Danny Boyle's filme,
Slumdog Millinaire and
Millions suffer from a wavering of purpose from gritty realism to wish fulfilment.
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06.02.09:
William Drenttel
Once Out of Chaos
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01.19.09:
William Drenttel
Polling Place Photo Project
To commemorate the inauguration of President Barack Obama, please enjoy this short film by Andrew Sloat inspired by Polling Place Photo Project.
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01.16.09:
Kerry Saretsky
Curious Case of the Better Adaptation
Now that I am comfortably “well-read” in my twenties with a Master’s in modern English Literature tucked into my back pocket, I can’t help but notice that every movie I have seen lately — and every movie that I want to see — has independently stood as a work of print before being reincarnated into movie form.
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09.22.08:
Gong Szeto
Interview with Brian Oakes
It’s not often that graphs and numbers take center stage in a popular film, but in the brilliant hands of graphic designer Brian Oakes, information design is not a backdrop but a main character in the recently released documentary I.O.U.S.A. Interview by Gong Szeto.
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07.31.08:
Michael Bierut
There is No Why
The year's best design movie is not about a typeface. It's Man on Wire, the new documentary about Philippe Petit's 1974 high wire walk between the two towers of the World Trade Center.
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06.16.08:
Rick Poynor,
Adrian Shaughnessy
We Found It at the Movies: Part I
Rick Poynor: Looking back, it’s surprising how long we’d known each other before it emerged that we shared an obsession for film.
Adrian Shaughnessy: Your obsession with film came as a surprise. Before lending you the Herzog box set I had you tagged as a visual arts man, not a cineaste.
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06.16.08:
Rick Poynor,
Adrian Shaughnessy
We Found It at the Movies: Part II
The second installment of Rick Poynor and Adrian Shaughnessy’s conversation about film. Can genre movies express a personal vision? Are films blurring into other media? And what’s the state of film culture today?
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05.16.08:
Jessica Helfand
Iron Man: The Screen Behind the Screen
Iron Man is the fulfillment of all the computer-integrated movies were ever meant to be, and by computer-integrated, I mean just that: beyond the technical wizardry of special effects, this is a film in which the computer is incorporated, like a cast member, into the development of the plot itself.
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05.04.08:
Rob Walker
This Joke’s for You
In the movie
Idiocracy, an average and unambitious guy played by Luke Wilson hibernates as part of a military experiment and wakes up 500 years later. The America he wakes up to has devolved radically.
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05.01.08:
Steven Heller
The Sky Is Falling
Where once the sky is falling scenarios would not, as Dr. Flicker said, “happen for billions of years yet,” the doomsday clock is steadily ticking away. Wouldn’t it be nice if we could go back to the days when fiction was not fact.
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10.01.07:
Jessica Helfand
Stan Brakhage: Caught on Tape
For Stan Brakhage, that concentration resulted in extraordinary explorations of many things, including the life cycle of a moth, caught on adhesive strips of tape, and subsequently captured on film where it regained however briefly the magnificent illusion of mobility. For designers, faced by budgets and clients and deadlines, the luxury of so much isolation seems a distant, if not an altogether perverse paradigm. But are these intentions really so mutually exclusive?
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08.06.07:
Liz Brown
Phil Spector vs. The Wall of Sound
Until 1966, producer Phil Spector was an unstoppable machine, churning out "symphonies for little kids." Then came "River Deep, Mountain High," where the combination of Tina Turner's raw, unbridled passion and Spector's orchestral swoon was a total disaster. Spector's career was over, but the song goes on and on.
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07.17.07:
Jessica Helfand
Harry Potter and The Enchanted Letterforms
The most recent theatrical release of
Harry Potter and the Order of the Phoenix includes a paradigm shift that warrants particular recognition, for the simple reason that this may be the first film in which mere letterforms, once the purview of the production designer, break free and actually join the cast.
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04.06.07:
Michael Bierut
Our Little Secret
The documentary Helvetica premieres in a world where everyone knows how to do something that once only very few did: how to set type.
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03.01.07:
David Stairs
That (Other) 1970's: The Last King of Scotland
The Last King of Scotland, Kevin McDonald's film about Idi Amin's notorious presidency, opened in Uganda to great fanfare. The VIP screening took place at Kampala's Cineplex, with Ugandan President Yoweri Museveni and Forest Whitaker in attendance. The premiere was not targeted to the average Ugandan...
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02.16.07:
Michael Bierut
Cheap Music and Commercial Art
You wouldn't know it from Dreamgirls, but Motown staff songwriters Brian Holland, Lamont Dozier, and Eddie Holland were examples of how art is created under pressure.
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12.29.06:
Alissa Walker
War Is Over! If You Want It
When the star of the documentary
The U.S. vs. John Lennon is asked by a reporter what he thinks Nixon should do to end the Vietnam War, Lennon stares incredulously into the camera. "He should declare peace." As if this was the most obvious solution in the world.
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12.04.06:
Dmitri Siegel
M...O...T...I...O...N
The work of directors PES and Kris Moyes leads to a discussion of the history of stop motion animation.
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11.27.06:
Jessica Helfand
How Hollywood Nailed The Half-Pipe
Pixar and
Animal Logic have mastered a particularly persuasive (and as it turns out, rather literal) form of spin that makes Road Runner look like dryer lint.
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07.07.06:
Jessica Helfand
The Right Stuff
Prada is yet another in a long line of stories in which posessions loom large, at once shining beacons of material success and wagging fingers of moral turpitude. When will we have enough
stuff?
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06.16.06:
Adrian Shaughnessy
Werner Herzog and the Deeper Truth
For hardcore cineastes and bug-eyed amateur movie buffs like me DVD audio tracks are an invention of Guttenburgian proportions. Few technological advances in the realm of art and culture can equal the joy afforded by an articulate and perceptive commentary specially prepared to accompanying a movie.
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03.09.06:
Dmitri Siegel
Broadcast vs. Broadband
Viral video is on the rise, spreading from broadband to broadcast and back again. What are the opportunities for designers in this new genre?
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06.24.05:
William Drenttel
Catastrophic Imaginings: The Design of Disaster
In the end, artificial disasters are designed to elicit and test the responses of participants. In their recording, both allow for a post-mortem evaluation. How did I do? How would I respond? Would I sit patiently in my car a mile up the road? Would I watch from my window, safe in my home?
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06.22.05:
Jessica Helfand
The Adventures of Cynic Boy and Design Mom in 3D
Brainwashed I may be, but I distinctly noted an homage to
Salvador Dalí with perhaps a gentle nod to
René Magritte last night while sitting through Robert Rodriguez's ludicrous, yet oddly luscious new movie,
The Adventures of Shark Boy and Lava Girl in 3D.
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04.05.05:
Rick Poynor
Wisconsin Death Trip
Michael Lesy’s book
Wisconsin Death Trip documented awful events in Black River Falls, Wisconsin, using a town photographer’s pictures. Years later, it remains a spellbinding piece of literary and photographic alchemy.
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03.03.05:
Lawrence Weschler
The Aural As An Architectonic Challenge
What are the people over at Transom.org up to? As it happens, this month is a very good time to pay them a visit: for the next several weeks, Walter Murch the phenomenally smart and inspired film and sound editor will be continuing to hold court there.
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02.04.05:
William Drenttel
Chris Marker: La Jetée
For years, I've owned a copy of La Jetée, a book about the film by Chris Marker, the experimental filmmaker. Designed by Bruce Mau and published by MIT Press/Zone Books in 1993, this is one of those design books that has ascended into the realm of rare bookdom...
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01.03.05:
Dmitri Siegel
Mysterious Disappearance of Carol Hersee
The story of Carol Hersee's portrait as Test Card F: since it first appeared in 1967 on BBC2, Carol's face has been on-air for over 70,000 hours.
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12.16.04:
Michael Bierut
The Other Rand
The Fountainhead, a 1943 novel by Ayn Rand, continues to exert its influence over generations of architects and designers.
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11.15.04:
Jessica Helfand
The Designibles
What's incredible about The Incredibles is the art of design capture. Because when it comes to nailing design, the "Is" have it.
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07.21.04:
Jessica Helfand
Graphic Design: The Movie
Some time ago, I pondered about the future of graphic design as a reality show, but recently I've become convinced that its real future lies in its actual integrated presence onscreen: design as part prop, part protagonist.
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07.20.04:
Michael Bierut
Pablo Ferro Offers You His Protection
The title design for the film Napoleon Dynamite, credited to Pablo Ferro [although designed in fact by actor Aaron Ruell], provoke an assessment of Ferro's influence in the world of motion graphics.
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04.17.04:
Michael Bierut
I Hear You've Got Script Trouble: The Designer as Auteur
Screenwriter William Goldman has written about how difficult it is to ascribe authorship for a film. The same may be true for graphic design, which, like filmmaking, is essentially a collaborative activity.
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04.15.04:
Jessica Helfand
Graphic Flanerie
Graphic Design's real power comes from its ability to reach us through any of a number of means, both real and virtual, now and later. This ability to transcend the everyday and resonate in the heart, the soul, the mind and the memory
this is graphic design's reality, its legacy, and it is, decidedly, a reality that is more than a sum of its parts.
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04.03.04:
Michael Bierut
Stanley Kubrick and the Future of Graphic Design
Stanley Kubrick's attention to the nuances of graphic design, typography, and branding went far beyond his well-documented obsession with Futura Extra Bold. 2001: A Space Odyssey in particular projects a perfectly designed vision of the future that has never been topped.
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12.17.03:
Michael Bierut
Errol Morris Blows Up Spreadsheet, Thousands Killed
Errol Morris's documentary "The Fog of War: Eleven Lessons from the Life of Robert McNamara" demonstrates his mastery of information design as a poetic narrative device.
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09.10.03:
Jessica Helfand
The Art of Elegant Abstraction
Bill Morrison's surprising 66-minute film is now playing on the Sundance Channel. For listings, see: http://www.sundancechannel.com/film_finder/index.php?startingLetter=d
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