04.03.13:
Alexandra Lange
Portlandia + Timelessness
No better place to consider what looks timeless now than downtown Portland.
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02.17.13:
Alexandra Lange
Patterns of Houston
How do you critique the urbanism of Houston? Look for patterns.
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01.18.13:
Rob Walker
What Are You Looking At?
The maps of the future will tell you what to look at. Sometimes, you should look elsewhere.
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01.02.13:
Rob Walker
13 Striking Landscape Fictions
Thirteen "landscape fictions," photographs of the natural world — made distinctly unnatural.
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07.28.12:
Alexandra Lange
Hiking the Museum
Ennead Architects’ new Natural History Museum of Utah works to make natural history seem like the ongoing process of discovery that it is, layering geology and topography, paleontology and interactivity.
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06.27.12:
Rob Walker
Observational Instruments, Observed
Peeping at the Venue project's delightful gear, and Google's Seussian Trekker
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05.17.12:
Alexandra Lange
The Well-Tempered Environment
Water features, old trees, food trucks. Three elements of the architecture of outdoor civic life in North Texas.
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11.22.11:
Alexandra Lange
Decorating Brutalism: The Interiors of Kevin Roche
How do you decorate a brutalist building? For architect Kevin Roche, the answer was brown, mirrors, and trees.
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10.31.11:
Alexandra Lange
Lessons from the High Line
How can the High Line become a new paradigm, and not a dead end?
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07.22.11:
Alexandra Lange
Jane Austen, Landscape Architect
Trapped by a ha-ha: bad romance and good landscapes in
Mansfield Park.
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06.22.11:
Alexandra Lange
Jane Austen, Architect?
Why is Austen next to Ballard on the Designers & Books lists?
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04.05.11:
Alexandra Lange
Muddying the Waters
Explore New York's watery edges with the graduating class at D-Crit.
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10.20.09: William Drenttel and Jon Piasecki
The Stonework of Jon Piasecki
"Stone construction is one of the most enduring traces of human activity. Any effort to quarry, cut and stack it is one that requires a powerful incentive, extensive planning and specialized skill." The
Stone River project of Jon Piasecki.
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